Be it as a source of fire, secret or endgame, everything is seen through the prism of sex and good looks in The Royals, observes Sukanya Verma.
Kunal Kohli's attempt to bottle the essence of Gen Z in Bobby Aur Rishi Ki Love Story remains superficial, observes Deepa Gahlot.
This movie is perfect for all ages. Avan Verma gives his thumbs up.
The Sabarmati Report is so flimsy in its execution, taking offence to it would be dignifying its existence, notes Sukanya Verma.
Eternal, the parent company of Zomato and Blinkit, on Wednesday reported a 72.8 per cent jump in its net profit for the third quarter of financial year 2026 (Q3FY26), on the back of a robust momentum in its quick commerce business. The firm's net profit rose to Rs 102 crore in Q3FY26 against Rs 59 crore it reported during the same period a year ago.
There is much in Oops! Ab Kya? that continues to linger till the cliff-hanger in the final episode. And yet, there's a great deal about the show that doesn't quite come together, observes Mayur Sanap.
Nadaaniyan's lack of charm, chemistry and cheek fails to create any ripples sighs Sukanya Verma.
Writer and director Anusha Rizvi returns to cinema after 15 years with warmth, wit and many a laughs.
Zero Se Restart is a must watch for cinema students, and also, perhaps for the layperson who has never been on a film set, and is curious about what goes into the making of a movie, recommends Deepa Gahlot.
Kesari 2 has more style than substance on its mind, feels Sukanya Verma.
Like most rom-com shows, this one lives up to the feel-good factor to a large extent despite getting a bit boring here and there, observes Namrata Thakker.
The Storyteller has a lot to like and admire about it, observes Mayur Sanap.
The possibilities of this serviceable thriller are immense but the makers prefer to play it safe and hold back the daredevil in the diplomat's clothing, observes Sukanya Verma.
Khushi fares better in emotional scenes but her chemistry with Junaid has the passion of a toothpaste campaign, observes Sukanya Verma.
When Ajay Devgn and the horse are off the screen, Azaad loses the little spark it has, feels Deepa Gahlot.
Everyone had high expectations of season 3, expecting the same level of emotion, the same thrills, and the same cinema. But it failed to deliver, feels Vihaan Kulkarni.
Choreographer-turned-director Remo D'Souza can sure set the stage on fire but isn't quite the storyteller, notes Sukanya Verma.
Pravinkoodu Shappu is a quirky whodunnit with its fair share of laughs, observes Arjun Menon.
Kangana Ranaut's decline as an actor feels complete, observes Utkarsh Mishra.
Paatal Lok 2 breaks the second season curse and spins yet another engrossing mystery, observes Mayur Sanap.
Bandaa Singh Chaudhary compromises on its hard realism to go after an easily digestible, mass, entertainer that ultimately undoes everything that the film had set out to say, sighs Mayur Sanap.
It was a forgettable weekend for Bollywood as the two new releases -- 120 Bahadur and Mastiii 4 -- failed to get audiences.
Suzhal: The Vortex 2 is a compelling watch with a tightly woven narrative, elevated by powerful performances, notes Divya Nair.
Despite being predictable, Sudhir Mishra's Tanaav Season 2 show is a good watch and doesn't lose its steam, says Namrata Thakker.
The Wild Robot is delightful children's fare and a meaningful watch for grown-ups, discovers Mayur Sanap.
After a character and film like this, at least for a while, everything else Vicky Kaushal does will look bland, asserts Deepa Gahlot.
It's too bad Viijay 69 does not let the viewer feel Anupam Kher's despair or his triumph. The most forgettable 'zero to hero' films at least managed that much, notes Deepa Gahlot.
Ram Madhvani's series is all over the place and also boring to watch, complains Deepa Gahlot.
Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the first film in a much bigger canvas, discovers Arjun Menon.
What majorly works is Uorfi's complete lack of inhibitions and ease in front of the camera, analyses Mayur Sanap.
Khoj: Parchaiyon Ke Uss Paar is too pretentious a title for the far-fetched, lightweight thriller that follows, feels Deepa Gahlot.
In this multi-part series, Joginder Tuteja brings us the theatrical releases of 2025.
I would tell all my friends to go and watch Mufasa: The Lion King, recommends Krishiv Dedhia, 7.
Despatch just goes on and on, sighs Mayur Sanap.
A gleefully hammy Madhuri and Vidya's volley of death stares and evil laughs engage in a ruthless glamorous tug of war in Bhool Bhulaiyaa 3, notes Sukanya Verma.
For a film with such a grand vision, Sangeet Manapmaan needed more flamboyance to make it a memorable affair, feels Mayur Sanap.
If Naam was made today, there wouldn't even have been enough audiences to boo it out of the halls, observes Deepa Gahlot.
Chhaava deserves 2 stars for the historically half-baked film that it is, but 4 stars just for its attempt on making a film on Sambhaji, observes Prasanna D Zore.
Vikramaditya Motwane and Satyanshu Singh have created an excellent but grim series, applauds Deepa Gahlot.
If only the movie could hold its own the way Raveena Tandon does in a cream and gold Manish Malhotra lehenga, Ghudchadhi would be half the entertainer it set out to be, feels Sukanya Verma.
